This article was written for Paducah Parenting magazine.
Children & Music
Did you notice when your child was a baby, that he would become quiet and listen when a
music tape would begin to play, or when you began to sing? Have you ever heard your child
singing to a stuffed animal? Does he respond with body movements in steady beat when
hearing music? Does she know the order of all the songs on a recording? These are
common music behaviors that show a child is well on his way toward achieving two primary
musical milestones - learning to sing in tune and to keep a beat.
In many cultures outside America, children grow up with active music-making families who
are not as tied to the television or frantic with activities, and these children have a natural
ability to speak the language of music by ages 3 or 4. They can sing on pitch and feel a
steady beat, they can understand music and are able to audiate, that is, think musically.
Acquisition of these skills is dependent not so much on innate ability as on proper
environmental conditions. Empirical knowledge show us that people are born with varying
degrees of music aptitude, but regardless of the level of music aptitude children are born
with, they must have favorable early informal and formal environmental experiences with
music, or that music aptitude will never fully be realized in achievement. It is clear the earlier
informal guidance and formal instruction occur, the higher the level at which a child's aptitude
will stabilize. Characteristics of a favorable musical environment include 1) play and
movement, 2) an exposure to a variety of both live and recorded music in different styles to
help young children develop a musical listening vocabulary, and 3) modeling by teachers and
parents.
We are so performance­ oriented in this culture that we think of doing music as singing a
whole song or playing a whole piece. But just as with everything else, there are
developmental stages involved. Before you can perform the whole piece, you have to learn
to speak out, and to understand elemental bits and pieces of the language of music. By a
baby's rapt attention and by not crying when music is playing you can know she is aware that
music (as opposed to talk) is happening around her. It has been shown that infants are, in
fact, so sensitive to music that they change the key in which they are crying or cooing, if you
begin to sing to them in a different key. Once they are able to change the pitch and inflection
of the sound they are making in response to what they are hearing, a child's total
development tends to proceed in the following stages. First, young children are able to
chime in on particular notes of the song, such as the final resting tone. Then they imitate their
parents as children become capable of singing by themselves, making up their own songs
or singing their own versions of familiar songs, approximating the melodic contour of the
song. Eventually, they are able to sing whole songs accurately. They are learning to think
musically.
Parents usually notice the beginnings of rhythm development when their children try to keep
some kind of beat. Gradually they learn to keep a consistently steady beat, although not
necessarily one that goes with the song! Finally, they are able to coordinate their body
movements to the beat in many different songs and can even change tempo as the song
changes. Again, a child is learning to think musically.
When your child recognizes the order of songs on a recording, it is a sign that he is
discerning patterns. Another sign is when your child fills in the beginnings or endings of a
song's lyrics. Try leaving out the last word or note of a familiar song to see if your child will
fill in the blank. You might also notice your child creating their own words or patterns for a
familiar tune. This is a further synthesis stage of musical development that has to do with
pattern discernment. A child who learns a second language early will speak easily and with
the proper accent. In much the same way, a child who experiences, and then has hands on
activities with melody, rhythm, timbre, and all the elements of music will be comfortable with
performing and creating music as he or she matures. We would not expect a child to wait to
talk until he can read - nor should we want to deprive students of a whole world of musical
growth until they can perceive note reading. Parents are encouraged to optimize their
children's potential during the accelerated learning years of early childhood by participating
in musical activities. We encourage parents to sing, rock, bounce, pat, clap, dance, and
play with their children as they listen to and make beautiful music together. Parents can
share quality music with their children and can set a good example by supporting their local
music organizations and by attending concerts given by those in the community. Support
the arts. Seek out developmentally appropriate musical activities and make music part of
children's lives from birth. Make music part of life, and reap the rewards as children grow
and develop!